For Croatian artist David Maljkovic, methods of display and the treatment of the exhibition space are central concerns. Considering the architectural configuration of the space a ‘language’ through which to frame, contextualise and re-read the work, Maljkovic manoeuvres his films, sculptures, collages, paintings and installations like props in service of the larger mise en scène. For the artist, ‘Sources in the Air’ – an overview of his practice from the past decade – represents not a collection of works, but a new work in itself.