“do it began in 1993 with a discussion among Christian Boltanski, Bertrand Lavier, and myself in the Café Select, Paris. Both artists have been interested in various forms of instructional procedures since the early 1970s, and that evening they spoke of the instructions contained within their own work. Since the 1970s, Lavier has made many works that contain written instructions in order to observe the effects of translation on an artwork as it moves in and out of various permutations of language. Boltanski, like Lavier, is also interested in the notion of interpretation as an artistic principle. He thinks of his instructions for installations as analogous to musical scores which, like an opera or symphony, go through countless realizations as they are carried out and interpreted by others. From this encounter arose he idea of an exhibition of do-it-yourself descriptions or procedural instructions which, until a venue is found, exist in a static condition. Like a musical score, everything is there but the sound.”

Source: Do It (1997-) – Exhibitions – Independent Curators International