Category: Index & Index
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Grosse Fatigue, 2013 by Camille Henrot
[youtube http://www.youtube.com/watch?v=M8pKZExrmCI]
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Roamie View : History Enhancement Re’Search Wait’S, 2009-2010 by Ryan Trecartin
[vimeo http://www.vimeo.com/24988447 w=400&h=225]
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Drama Queens by Elmgreen & Dragset
[youtube http://www.youtube.com/watch?v=ZhNEC2-cupo]
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Deleuze’s Abecedary: ‘A For Animal’ (English Subtitles)
http://youtu.be/L_ZWwLKHQnU Deleuze’s Abecedary: ‘A For Animal’ (English Subtitles) – YouTube.
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Met zonder handen by Marijke van Warmerdam
Van Warmerdam’s short film Met losse Handen (No Hands, 2004) is a nimble, thought-provoking metaphor that can evoke poetic feelings and memories in the observer. Who cannot remember riding a bicycle with no hands down a narrow path on a fine late summer’s day? The subjective film camera invites the viewer to follow its gaze:…
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Not I by Samuel Beckett
[youtube http://www.youtube.com/watch?v=l8C4HL2LyWU] Not I – YouTube.
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Boomerang 1974 by Richard Serra
[youtube http://www.youtube.com/watch?v=m5S3_dmj8BU]
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Light Perception Manipulation: The Future of Architecture | News | Archinect
James Turrell is a prominent artist from Pasadena, California who graduated from Pomona College with a degree in perceptual psychology. He further pursued his studies at University of California, Irvine, and ultimately earned a master’s degree in fine arts from Claremont Graduate School. He is the recipient of the Guggenheim and MacArthur “genius” fellowships and…
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Immersion / Media Art Net
Digital art is open, transient, interdisciplinary, multimedia, processual, discursive, concept- and context-dependent, and, in addition, is increasingly oriented toward interaction with the recipient. Within the evolving art genres, virtual art has begun to further dismantle the traditional tableau; this time, in favor of a processual model of art. Interaction, telematics and genetic image processes not…
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Introduction—Global Conceptualism Revisited by Boris Groys
By way of an introduction to this issue of e-flux journal, I would like to discuss the changes in our understanding and perception of art engendered by conceptual art practices of the 1960s and 1970s, focusing not on the history of conceptual art or individual works, but rather on the ways in which the legacy…